Tuesday & Thursday #TNightSprints

Hey there word sprinters, and happy Thursday! We’re here to announce a new sprinting event taking place twice weekly on our very own Twitter account. Join us at @TheSprintShack every Tuesday and Thursday nights for some word sprinting goodness at the following times and use the hashtag #TNightSprints to report and compare word counts!

GMT: 2 a.m. – 3 a.m.
9 p.m. – 10 p.m.
PST: 6 p.m. – 7 p.m.

It can be tough to come home and write at the end of a long day, but that’s what the sprinting community is here for! Unwind from the day’s work with some good company, writing, and inspiration. Sprints will typically be led by Cristina throughout the hour with a 20 minute sprint at the top of the hour, a 10 minute break, and a 30 minute sprint to finish strong from :30 to :00.

For more information on word sprinting and how to join in, check out our FAQ page.

We hope to see you there!

How Long Should You Take To Write Your First Draft?

first draftAs avid word sprinters, we’re all about time-oriented goals. Give us 20 minutes on the clock and a swift kick in the pants, and we’re off to a good few hundred words of fresh writing on any given day. But when it comes to much more long-term goals—such as the first draft of a novel—time limits can be unclear. How long should we take to complete the first draft? How long do we want to take?

Of course, these are questions that only those of us without a publisher’s deadline have the luxury of asking. If you’ve been asked to submit a manuscript by a certain date, then by all means, be on time. Open-ended projects, however, allow for more flexibility on our parts.

The problem with leaving anything open-ended lies in a writer’s best skill and worst habit: procrastination. If you don’t have a hard deadline for your project, why rush it? Why not give it all the time in the world to be the best it can be? Our answer, and that of many accomplished writers, is this: give that project too long to simmer and it may just burn. The longer you take to complete a first draft, the more opportunities you have for other, exciting ideas to take hold and derail you, and the more likely you are to lose interest.

There are a plethora of other problems that can occur, of course. If you’re a discovery writer, for example, you could lose track of where you were going or forget an important detail you wanted to include. Those of us who outline could very well end up following the outline mechanically and disconnecting from the tone of the story. Both pantsers and planners run the risk of losing momentum. Ultimately, it’s best to get the story down while the idea is fresh, which is the sole idea behind writing challenges like NaNoWriMo.

In the Writing Excuses podcast 9.15, entitled “Becoming A Writer – Full Disclosure,” New York Times bestselling author Brandon Sanderson describes interrupting a first draft as “absolutely miserable.” Stephen King recommends taking no longer than 3 months to complete a manuscript in his memoir and writing guide, On Writing. But while it’s always helpful to follow the advice of an accomplished author, writers at all stages in their careers have their own processes. I took to Twitter to see how some of you approach first drafts, and was genuinely surprised at how solid your timelines were:

If your tweet isn’t featured here, what about you? Do you set a deadline for your first drafts? Do they tend to just take hold and finish themselves within a certain period of time? Or do you wing it and hope for the best? Let us know!

What Fuels Your Writing?

I’m sure I’m not alone in saying that I have a couple “writing crutches” – things that make it easier to get into the writing mood and transform those mediocre words in my head into flowing, magical prose on paper.

Writers are notorious for having their crutches (or vices). More often than not, writers are creatures of habit. Our chair has be adjusted at a certain height, the wine has to be red, and the phone must be unplugged. Whatever your criteria may be, creating the atmosphere for writing is a science. Or, perhaps a kind of magic, where everything comes together just so and coaxes the words onto the paper (or computer screen).

Some writers like Faulker require nothing more than a glass of good whiskey. Yet other, more eccentric wordsmiths, have needed private hotel rooms in order to write their masterpieces (Angelou) or have found that they can only write in the nude (Hugo) to get their writing done.
I’ve got some of my favorite requirements for writing here for your perusal (and judgement). While much of what I list here is optional, I’d much rather write with these things than without…

For Inspiration: Pinterest, random words from dictionaries, art
For Focus: Music (instrumental)
For Motivation: Snacks, coffee, tea, wine

So there you have it. Those are the key ingredients to get me in the writing zone.

But we’re all different! So what about you? Tell me what fuels your writing. What are your requirements/crutches/vices that keep you writing? I’ll be pulling some of your answers for my next post!

Why Do You Write?

Can I ask you a personal question? Why do you write?

Each time I ask myself that, I have to pause. Not because I can’t think of a reason, but because there are too many. There are so many aspects to writing that I love, that make the process, from inkling to polished novel, something I get so much fulfilment from. When I stop to think, there are countless reasons for me to write–and yet, all too often, I forget about those reasons and lose the will to write. Unfortunately, I’m not alone.

When we’re stuck in the middle of a tough scene or wading through a particularly difficult edit, it’s easy to lose heart. We forget why we love to write so much, why we took up the hobby in the first place, and instead find reasons not to write. ‘I don’t feel like it.‘ ‘I’m too busy.‘ ‘I’d much rather watch funny cat videos on YouTube.‘ You know what I’m talking about.

The thing is, when we find reasons to avoid writing, we’re cheating ourselves. For the most part, we don’t have to write. No one’s forcing us to. We do it because, for whatever reason, we want to. And those reasons can be the biggest motivators of them all.

Try it yourself. Why do you write? Not too long ago, I asked this question myself on Twitter. These are some of the responses I got:

These are just a few of the many unique, inspiring reasons our Twitter friends have to write. If you’d like to see what other people love so much about writing, search for the #whyIwrite hashtag and send out a few tweets of your own!

Finally, here’s my challenge to you: each day, think of one reason you write. Put it in your journal, tell your friends and family, tweet about it, repeat it on a night before you go to sleep, sing it from the rooftops… However you do it, just remember why you write and why only you can write what you do. Remind yourself every day why you put pen to paper. Recall the first spark of inspiration that took your breath away. Write down why you write, share it with the world, and keep it in your heart.

It’s amazing how much more motivated you feel when you remember what drew you to writing in the first place.


Why do you write?

A Camp NaNo Lesson: “Showing Up” For Your Writing

Untitled“Eighty percent of success is showing up.” – Woody Allen

Gather ‘round, Camp WriMos, and sit by the fire. Have you checked in to your cabin yet? Kept up with your word count? Whether you have or haven’t—or aren’t partaking in Camp NaNoWriMo at all this month—it’s time to face a solid writing fact. Woody Allen says it best, above, but I’ll word it another way: if you want your writing to go somewhere, you need to show up at your destination first. Then, it’ll follow you.

What do I mean by this? Simply that, if you have a goal in mind for your writing (such as getting a novel published or being recognized for your short fiction), you need to think and act as if you have already achieved that goal. This can be done in a number of ways, and all are heavily encouraged: showing up to your writing space every day at the same time, creating a professional brand or image for yourself and your writing, developing a pitch for your novel before even writing it, etc. In fact, there have been a number of discussions on the idea that action precedes emotion and motivation, such as the study that proved forcing a smile actually helps relieve stress. Simply, acting professional will eventually make you feel professional and give you the spark you need to do the work.

This applies not only to writing but to any goals you may have. However, it’s the cardinal rule of writing: if you want to be a writer, you must first write. And that’s what NaNoWriMo and its smaller cousin challenges are about.

Now that we’re halfway through the month, you’re expected to be tired. Frustrated. Whether your word count goal was 10,000 words or 100,000, chances are, the task now seems more daunting than it did on July 1st. It’s a case of those nasty mid-month boogie monsters we talked about last Camp NaNoWriMo, but you aren’t going to let them snatch your plot bunnies this time, are you?

The number one roadblock most people face at this point in the challenge is that their story isn’t working out the way they expected. Either a plot is taking a turn for the worse, or a character is running totally off the outline, or the words simply aren’t coming. That’s okay. It happens, and that’s why this is called a challenge. But the important thing to remember is to show up every day anyway, ready to carve out the next part of your story. Even if you only get a fraction of your daily word count done and don’t manage to hit your ultimate goal for the month, you’ll have walked away with something even more valuable than a fancy badge or certificate: you’ll have taught yourself perseverance.

That’s the real goal of NaNoWriMo. Not to silence your inner editor, not to force out a mess of a story—although those are two big parts of it. It’s to teach you the habits that will ultimately make you a successful writer, because they’re the habits already successful writers have already formed. Even NaNoWriMo’s worst critics admit that, all contempt for the practice of speed writing aside, the challenge teaches its participants the most important lesson in writing: to show up, without fail, even when nothing seems to be happening. Because eventually, something will.

Have you found NaNoWriMo to be helpful in forming good writing habits? Have you discovered that simply showing up is often enough to get the juices flowing? Let us know; we’re always interested in hearing everyone’s creative processes!

Harnessing the Power of Camp NaNoWriMo

I’m starting this post off with an apology.  To my fellow word sprinters and writers: I’m sorry I’ve been so absent over the last month! If you haven’t noticed my radio silence, it’s because Skye and Cristina have done some a wonderful job of keeping the site and word sprints running while I’ve been MIA.

Now, I have a hundred excuses as to why I haven’t written a Sprint Shack post or hosted any word sprints in the last few weeks, but none of them are really good enough. When you love writing, you shouldn’t let anything get in the way. So I wanted to return to Sprint Shack with a short post about the power of Camp NaNoWriMo and getting yourself back into the writing game.

Over the last month, I’ve managed to barely keep myself on track with the short fiction posts for my personal site and meet my Write Chain goal each day.

But because of all the other things that were happening in my life, I began to resent the fact that I was sitting down every day to write. I had a million and three things to do – I couldn’t afford to be sitting around for an hour each day, writing a bunch of fiction.

So my writing suffered. My heart wasn’t in it, and I could see that my stories were forced, my writing unimaginative. I missed loving to write. I wanted to look forward to that hour of writing like I used to. But I didn’t know how. And the more mediocre my writing became, the more unmotivated I was to write, and the more my writing suffered. It was a vicious circle.

When the end of June rolled around and I began to see tweets about Camp NaNoWriMo, I wondered if I should even bother signing up. But after some contemplation, I realized that if I gave up on Camp NaNo, I may as well give up on my writing.

So I set my word count goal low and spent the first week of Camp NaNo putting off actually starting my new novel.

After 7 days of no progress with my Camp NaNo project, things were looking bleak.

But then I logged into my NaNo account and checked out all the messages left in my cabin’s chat section.

These people were so excited. They were writing and loving it! They were complaining about blocks and joking about ways to get over them. They were supporting one another and giving updates on milestones that they’d reached with their projects.

It was infectious! I couldn’t help but want to join in. And so I did – I began writing. And not out of a sense of obligation, but from a place of curiosity. I wanted to see what I could do. Even if it ended up being horrible, I wanted to write the story that had been taking up space in my head for weeks.

Since then, I haven’t been able to stop. I’ve been writing like crazy and loving it.

I realize that what I was missing was the camaraderie. I’d used the excuse of being too busy and then sequestered myself off from the freedom of word sprints and encouragement that comes from interacting with the wonderful community of writers that I used to be so involved in.

All I needed was to realize that I wasn’t alone. Everyone feels this way about their writing at times. Everyone thinks they’re no good and that they don’t have time to spend writing below-par stories. Yes, writing is inherently a solitary pursuit. But it doesn’t mean we have to go it alone.

I’m feeding off this positive energy of other writers during Camp NaNo and using it to fuel my own writing.

If you’re in a writing rut, I recommend jumping into Camp NaNo or joining in on some of our Twitter word sprints. Let go of the excuses and enjoy writing again.


Are you guys participating in Camp NaNo this month? Tell me why you’re NaNo-ing in the comments below!

“Silencing” vs. “Shelving” Your Inner Editor

It’s that time of year again—the time when NaNoWriMo addicts set a goal, cozy up to our cabin mates, and block out the real world for the warmth of our figurative campfires. I’m talking, of course, about Camp NaNoWriMo—July edition!


Camp NaNoWriMo takes place twice per year and this is our second time around for 2014. So in the spirit of this frantic, exciting time, we’re going to address an idea that’s synonymous with NaNoWriMo: silencing your inner editor.


The point of NaNoWriMo is to quiet that little voice—the one that insists you fix that error, whether it be as small as a typo or as large and gaping as a major plot hole—before continuing on to the rest of your story. It’s a practice that’s helped many a writer muscle through the tangles of a first draft, despite the crippling desire to spend an entire month on page one alone. It helps a story form its barest foundation, to be bricked and mortared and painted later on in the process. However, there’s a problem that many critics of NaNoWriMo point to with this practice: silencing your inner editor can be a dangerous habit to get into.


For this reason, it’s best to think of this challenge as a time to shelve, rather than silence, that voice. Should you routinely silence your inner editor—which, it’s important to note, is different from the trash-talking bully we all possess that insists with zero supporting evidence that our work is garbage—you may get into the bad habit of not listening to it at any point. And since the inner editor is typically alerting you to a problem that does need to be addressed, whether in draft one or sixteen, this could be a damaging habit to get into.


Here are some instances in which shelving, rather than silencing, your inner editor can help you work your way through your first draft—without slowing you down:


1) You’re writing along when you realize your story could benefit from an extra transitional scene in between your last and your current. Silencing your inner editor by ignoring the instinct could cause you to miss a potential improvement to your story or forget about it altogether. Shelving it by making an immediate note in the document, to be addressed in revisions, will allow you to continue with your current flow without risking any omissions on your part later.


2) A major plot hole appears! You have two choices: silence your inner editor by shrugging it off and expecting to remember it later, or shelve it by making a note somewhere you know you won’t miss it—or directly into the text itself—and correcting your current flow to compensate.


3) Similarly, your characters seem to be out of character, and your inner editor perks up. You can silence it by continuing their character arcs as they are, or shelve it by starting to correct the issue in your current writing—not by going back and fixing what was already there. For example, if John and Jane were previously in a rocky relationship and the scene you’re writing seems to completely dismiss that, make note of that as soon as you notice the discrepancy and start introducing an element of tension that makes more sense given their situation. If the tension seems to spring out of nowhere upon a future read, you’ll have your note there to remind you why and point out what needs to be fixed.


Have you ever noticed a difference between silencing and shelving your inner editor? The former can create a bad habit of dismissing the savvy writer in us, while the latter gives us room to complete our stories while learning how to prioritize our tasks. There are exceptions to every rule, of course: you may find that some mistakes need immediate fixing, and that others are best left alone until revision time. Either way, always remember the difference between your inner editor and your inner bully, and learn how to tune into their voices accordingly!